Sunday 11 November 2007

NYC 07: The desperate* search for Havana Club

* Not so much desperate. More half-assed.

The history of Cuban rum is a long, impressive, convulated thing. This being the internet, though, I give you the long story short: Castro nationalizes rum production in Cuba; the Bacardi family leg it to Puerto Rico while Havana Club starts producing rum using the old Bacardi stills and facilities. Of couse, the US trade embargo on Cuba means that Havana Club is not available on American soil, so Bacardi took the opportunity to launch their very own Havana Club.

Following this ok?

The Bacardi Havana Club is not available in the UK, primarily because the Cuban Havana Club is, so I thought I'd make use of the couple of days I had in New York to find a bottle, just to see what it was like. After an exhaustive (again, nearer "when I didn't forget when passing one," than "exhaustive") search of Manhattan's liquor stores I had to admit defeat, safe in the knowledge that I had one last shot - duty free.

Or not. Guess I could pick up a litre bottle of Bacardi Limon, though. Or, in the country that's producing some of the more interesting gins on the global market, a bottle of Tanqueray Rangpur. I guess I'll have to settle for hoping that the Bacardi Havana Club tastes better that rum-flavoured vodka rather than knowing.

NYC 07

You should love New York. Every souvenir shop pushes one particular message: I (heart) NY, and when they say "I" they mean "you".

Therefore, you love New York.

They say it so much it must be true. In fact, everywhere you go in the city you get the reinforced message that this is The Greatest City In The World. The stores have the greatest deals, the restaurants have the greatest food, so on.

Whatever happened to "show, don't tell"?

I have to confess that I haven't had too many awe-inspiring moments over the past few days in New York. There are impressive things here, to be sure. There is a little rush of excitement the first time you see the Empire State Building towering above 5th Avenue, likewise the Brooklyn Bridge and Liberty Island in the distance. Times Square is remarkable in its neon tackiness. But these uniquely impressive spots are undermined by the ordinariness of the spaces between.

The overall effect is similar to looking at a Seurat painting - the closer you get, the less cohesive the whole appears. You start to see the disparate individual elements that make up the whole, and sat next to each other in close proximity they don't seem that impressive. Like Seurat's La Grande Jatte you marvel at the beauty of it from afar and at the achievement of creating that beauty from up close. The real New York is not just the New York of popular culture. It is both less than and more than that.